Sunday, January 31, 2010

What I Learned In Kindergarten…

With much chagrin and a sense of the absurd I read an article in the NY Times about test preparation programs for entry to kindergarten. Kindergarten. There are waiting lists for these programs in NYC. I dashed off an email to my daughter warning her to, quick, get my two year old granddaughter on the waiting list NOW, lest she miss her window for Harvard! Her response? She’s already having trouble finding her a pre-school for next year, should have started looking before Julia was born. No kidding. Not long ago I had a three year old in my office with her own laptop- great, right? Except she was doing homework. Seriously, what are we thinking? Makes me long for another Maria Montessori...

We’d all like to hearken back to the “good old days” when “children had a childhood.” But the reality is, that’s never been the case. Parents have put pressure on their kids to perform for as long as there have been parents and kids. The good news is that whatever we do, however hard we press, our kids will grow up with their own way of thinking, and that is fortunate. It’s the engine that drives our creativity, that makes for Cooper Hewitt award winners and inspires the rest of us to keep trying.

But the question is, are we fostering that creativity when we’re so focused on quantifying a three year old’s “success”? How far do we push and how young is too young to put them on the treadmill? What happened to play? Are flashcards and math drills really more effective than Play Dough for preschool? And if they are, so what? What’s the cost?

If you have lots of money and a kid who can’t seem to walk that narrow line, you can send them to a private school that fosters a more creative approach to learning (what a subversive concept- learning should be fun!) Some look at these “alternative” schools dismissively, concerned that their unconventional approach is more circuitous and less quantifiable. True, but, oh how I envied their approach as a child, when trying to make my left brain meet my right.

I grew up in Brooklyn, in a neighborhood of brownstones and artists. I was lucky for that unique experience, although I had no idea at the time. My parents- educated, loving and positive- sent me off to a very good Catholic school, blue jumper and all, giving me the best of tools to set me on my path. Alas, I wandered afar- right down the street from our house to a brownstone that housed the Woodward School. In its massive windows hung clotheslines; attached to those clotheslines were enormous sheets of newsprint with an ever changing display of bold, messy paintings hanging like flags of freedom. I walked by those windows every day, yearning, as I struggled to stay inside crisp looseleaf lines. It took many frustrating years until I finally found my voice and figured out how to use it. Those paintings in the window inspired my search- that and the crazy artists roaming that neighborhood, canvases like kites.

Recently I was a panel member for an architectural jury at which two students ended up in tears, partly because of my critique. I felt terrible, and wondered what I said or did to create that much stress. What I perceived as great dialogue, and questions intended to be encouraging, left them feeling overwhelmed and pressured. In truth, their presentations were two of the most intriguing solutions to a challenging project, and two that most engaged the entire group. Afterwards I spoke with them, explaining that they did a great job- they grabbed our attention and made us think twice, much better than the “perfect” solution. And I thought back to my own student days, the power that critical commentary can have in our lives; how withering it can be, or how empowering. Are we teaching our children to think for themselves, or to just give us back the “right” answers?

Positive dialogue about ideas starts when a two year old first picks up a crayon, and teaching a child to find her own voice is critical to learning, to confidence in challenging perceptions, and to creative pursuit in our lives, wherever that may take us. What we stand to miss is that power of "art" is not in the product, but in taking the risk to put forth something different, though-provoking and perhaps unresolved. The most eloquent projects are often the incomplete or imperfect. They're the balls we can bounce around, mull over, fill in, respond to... imagine.

We live in a society that measures everything. We wear monitors when we exercise, carefully quantify our learning, our fitness, our height and weight and breadth and depth. All those Weights and Measures are of value, necessary systems that give structure to our lives. If we didn’t measure, we’d have no means to build a building, know a healthy heart rate, check cholesterol levels, and evaluate who should get into Harvard. But even in science, there’s art in interpretation, and without creative thinking, without critical analysis, without interaction, intuition and instinct we often misdiagnose.

For years we’ve bemoaned the effects of technology and pressure on our children. Some will take to it, others won’t. Some types of creativity are fostered within the lines, others are not. And we can worry about what they learn and what they don’t, but growth and learning happen in their own pace and time, and aren’t limited to the years before the age of 21. Thank God, or I’d still be SOL.

Tuesday, January 12, 2010

Towards Singularity…

Curious about the title, what’s up and where we’re headed in design, I made a trip to the Cooper Hewitt Museum in NY for an exhibit called “Design USA: Contemporary Innovation”; a retrospective honoring their design award-winners of the last 10 years. It was quite an experience, and I’m still mulling over the incredible collection of ideas, running the gamut from search engines to sneakers, physicists to plastics. Oh, foolish boy, if Benjamin Braddock only knew…

The categories themselves were intriguing: Craft, Experience, Technology, Materials, Method and Design Mind. Recognition that “design” is a very broad term, “space” is more than what’s between four walls, and “innovation” affects everything.

Of course, architects and designers were recognized, especially for solutions to meet changing spatial and environmental demands. There were imaginative “brownsite” redevelopments, most notably the High Line in Manhattan, and much emphasis on prefab technology, green design and sustainability. But equally lauded were those who think “outside the box” across the board. Nike has conquered sluggish feet with shoes weighed in grams; Aveda, a makeup manufacturer, was awarded for creativity in environmentally sound product and packaging as well as their third world economic contributions. The New York Times graphics department was noted for their interactive media applications- Sunday morning sections may soon go the way of milk delivery. Patagonia’s recycled plastic “fleece” has saved millions of sheep from the indignity of shaving, turning half liters into hoodies. The meeting of mind and material has made for innovations that are changing what and how we produce, and I started to think of how these innovations are shifting our concept and use of space.

Most intriguing were the “interaction” designers who have had such profound impact on all our lives, even for those of us whose only contact with technology is the touch screen at the ATM. Their connections between the digital and the physical realm, ubiquitous in those elegant IPhone applications, are radically changing our means of communication. Being of an earlier generation and far from technologically proficient, I only have the vaguest understanding of how this all works. But the good news is I don’t have to- someone very smart from MIT has my back. I just have to show up and use it.

Little mention in this exhibit of “space” as we think of it, but technological innovation is profoundly impacting how we live, and how our businesses and homes will respond to it. Yes, they are dealing with space as well- abstract space tied more tightly to time and less sensitive to place than we’re used to, but quite pertinent to any discussion of how we live. It’s “space” we didn’t really consider as little as ten years ago, and it’s changing how our physical space functions as well.

I think of my own connectivity; I am “linkedin”, “twittered”, “emailed” “facebooked” “googled”, and that’s before I pick up the phone. Not so long ago, I lost my daughter on a ski vacation and was terrified- now I could call her from the top of that mountain, assuming that she’d answer. I take a picture and email it while finding a restaurant on 145th Street. All this communication can be intrusive, but it’s a powerful tool for connection, for building business and for exploring ideas. I can work from just about anywhere, talk just about any time- and there’s something quite freeing in that.

I was pushed headlong into my own technological Waterloo about four years ago when working on a project in Georgia. Time sensitivity and construction constraints forced me to make a leap I had for many years resisted- from hand drafting to CAD. The poor guys I worked with can attest that they pushed an 800 lb gorilla over a 10 foot wall- I had to change my entire way of thinking about space and form. Result? Four years later I no longer own a drafting table, having abandoned it for my little Mac Powerbook, and that roll of yellow trace has become wrapping paper. Many a detail was drafted on a Continental tray table and emailed from the arrival gate. The transition changed not only how I design but how and where I work. Coupled with the vast internet library a click away, my “office” has been downsized to any small surface and a chair; add my IPhone, it’s behind the wheel of my car (yes, I know). All else is extraneous clutter that I just can’t seem to help.

Demarcations are shifting and with them the spaces we inhabit. We work nationally and globally in our slippers on the coffee table. And how we design needs to respond to these changes- offices morph, organizing systems adapt, home and play and work intersect in ways we didn’t imagine, all changing the function of our spaces, how we fill them and with that, fundamentally, how we live our lives.

This shift to instant information and immediate response makes me wonder how long before we approach that hypothetical “singularity” where mind and machine finally merge? Doesn’t seem so far-fetched now, we’re only one small step into this world of technology. A generation ago my mother spent her Saturday mornings cleaning kerosene lanterns and went to church with heated bricks under her feet. I stand on a subway platform and plan a vacation, make a bank transfer and download a CD in seconds. And that’s me- what of the three year old recently in my office with her “Princess” laptop? For her it’s already there.

It’s all good, just different. Changing with the times, right? Something to be said for continued adaptation…keeps me young, at least at heart.